Galerie B-312 is pleased to welcome Valérie Blass' most recent sculptures in its large room. Each plastic proposition is composed of two contiguous works, one of which seems to be double the other, without us being able to distinguish the original from the copy. 

Galerie B-312 opens its programming of the year 2004-2005 with the Aprenter l’île promenades urbaines, a series of events organized around the lunch of the artist’s book Aprenter l’île promenades urbaines- Montréal, vues singulières designed and published by Galerie B-312.

The mechanics of time is a territoriality; it is a material so flexible that we sometimes forget its structure in the enormous purity of the stridence of movement. To approach time in its movement and/or its fixity is to appropriate the space of an overflow.

Galerie B-312 is pleased to welcome in its large room Topographie de la couleur résiduelle by Aude Moreau. This in situ intervention brings to a close a project to inventory the painting collections that Montrealers keep in the sheds of their homes.

Gallery B-312 hosts Happy Hour, an installation by Alberta-born Montreal artist Nelson Henricks, in his small room. In Silent Film, a film that Nelson Henricks directed in 1994, a voice-over says, "You asked me why this film is silent? 

Angèle Verret paints some of her paintings by letting the fluidity of the pigment-laden binder interact with the slightest variations in the surface of a prepared canvas placed horizontally. This operation is repeated until the artist finds the result disturbing enough to address it to us.

Caritas is Latin for "high price", "expensive (of a thing)". But Caritas also means "high esteem", "love", "tenderness", "affection". This year again, almost 50 artists agreed to participate in the Caritas sales exhibition organized for the benefit of Gallery B-...

Galerie B-312 is pleased to welcome Solo, an exhibition by Pascal Grandmaison. Its title comes from the work that is presented in the small room as an audio video installation. The large room is in a way the antechamber of the small one.

This exhibition revolves around an installation (which gives it its name) whose general appearance is reminiscent of a huge tree where Nathalie Lafortune has distributed found objects and others that she has made.

Renée Lavaillante thus accomplishes a methodical return to a practice of drawing that takes into account the beneficial outrage of the proponents of Automatism, when they invoked both the absence of drawing and full responsibility for the result.

Lisa Hecht evokes in a series of large-format photographs (90 x 60 cm) a whole work of reflection resulting from a very simple gesture, that of obstructing all the windows of her studio with sentences written in negative from her workbook.

For its 10th anniversary, the gallery has decided to give a different form to its benefit event and is launching this year an exhibition-sale governed by a single constraint: the prices of the works must be made up of the figures making up the gallery's patronymic.

Gallery B-312 proposed to invite a scientist to design an exhibition as a scientist. It had in mind this threefold question: how does the scientist's sensitivity intersect with that of the artist? How would the artist respond to the questions of an art-oriented scientist?

The celebration of Galerie B-312's tenth anniversary continues and Serge Murphy, who has kindly accepted to participate, offers us Carrousels for this third exhibition of the six programmed. It brings together two original visual projects by Patrick Coutu and Charles Guilbert respectively. 

Geneviève Rocher and Galerie B-312 are pleased to inform you about Découpure, an exhibition of large-format drawings by Geneviève Rocher that is held at 3416 avenue du Parc in the environment of Hélène Barbeau's clothing store, a fashion designer.