Gennaro De Pasquale's Currently Active Camera is a collection of relatively short videos interspersed with countdowns that are reminiscent of movie starters. All the videos are a succession of still images that the artist captured on webcam sites.

Galerie B-312 presents in its large hall Garçon-Gazon / Lawn-Boy, an installation by Patrice Duchesne-Fort appreciated in his region, Saguenay-Lac-Saint-Jean, where he is actively involved, notably through the gallery Le Lobe and the Atelier d'artistes TOUTTOUT.

Angèle Verret paints some of her paintings by letting the fluidity of the pigment-laden binder interact with the slightest variations in the surface of a prepared canvas placed horizontally. This operation is repeated until the artist finds the result disturbing enough to address it to us.

Push is a consideration of how photography engages the profound violence of the modern era. What is its capacity to reflect on this relationship and what is the necessity to do so? To what extent does such a reflection reside in a work whether explicitly intended or not.

This year again, almost 50 artists agreed to participate in the Caritas sales exhibition organized for the benefit of Gallery B-312.—60% of the proceeds from the sale are donated to the gallery, the difference being kept by the artist.

Le Panthéon is the third and final part of the Pavillon du Québec, a trilogy by Cynthia Girard in which the artist works on an uncompromising portrait of Quebec's collective memory.-The exhibition brings together portraits of several figures of Quebec culture.

Gallery B-312 welcomes in its small Room, Itérative, one of the most recent works by Robin Dupuis. In this audio-video installation, in the space of twenty seconds, a delicate link between the movement of the image of a hand and a sound, the source of which is a mystery. 

Yan Giguère knows perfectly well the limits and possibilities of photography, and has been doing so for more than fifteen years. But he chose to engage in a fully-fledged artistic practice eight years ago. What did convinced the photographer to become an artist?

To inaugurate its 2002-2003 program, Galerie B-312 welcomes Montreal artist Bertrand R. Dérive Pitt’s artwork, Dérive, in its main room. The work punctuates the artist's visit, in 2000, to the studios of the Christoph-Merian Foundation in Basel.

Heterosexy is a catchword that combines the idea of heterogeneity with that of attractiveness. This evocation of "attractive heterogeneity" resonates a bit in contrast to the famous Freudian "disturbing strangeness" without being opposed to it.

Michel Gonneville invited artists Michelle Boudreau, Luc Bourbonnais, Mario Côté and Claude Ferland to create a work based on Îles, a musical piece he composed in 1991 for choreographer Jean-Pierre Perreault. 

We invite you to a discussion with the artists Patrick Coutu and Charles Guilbert in the company of curator Serge Murphy, an evening hosted by Jean-Émile Verdier, art historian and theoretician.

 It seems that Céline B. La Terreur's current practice explores a "ban on borders". Paintings, drawings, sculptures, readymades, photographs, a videogram, a performance, all of which can be installed in a single artistic proposal, not to mention all the dexterity that these universes imply.

Ten Years, One Decade: A Retrospective that is not a retrospective, an exhibition curated by Michel Boulanger, Marthe Carrier, Marc Desjardins and Johanne Gagnon.

This exhibition was inspired by my experience of specific works by each artist — works that placed emphasis upon the living body in an ongoing interaction with its environment. 

About ten years ago, Joseph Branco and Mary A. Côté rented a space in the Belgo building to showcase their work. This space is essentially the same as Gallery B-312 today. A curious memory effect will perhaps present itself to those who remember the 1990 exhibition. And the work that the artist proposes to us also...

Yves Boucher's patient work is essentially based on a material, wood, and some activities to which it is linked. However, if he makes use of engraving or uses different varnishes, it is in a completely different direction than what is traditionally understood.