Light plays a predominant role in what Joceline Chabot offers us. Given the subtlety of the interventions, one can question and doubt when setting foot in the exhibition space. Nothing assails us here. What is there to look at?

The artist accumulates, transforms, reorganizes these objects and leads us into a fiction where repetition and invasion challenge us. As if, through a series of simple and repeated gestures, a common object could eventually become invasive. 

Alice Cerdan, is a specialist in contemporary Amerindian art. She offers us the photographic work of two artists who are rarely shown in Quebec. She approached this project with the premise of the otherness in its relationship to cultural belonging.

In the development of Marc-André Soucy's pictorial language, and particularly in his recent work, the enumeration of elements and their distribution on the surface give them a floating effect that is accentuated by the reserves.

The status given to images in our societies today leads to certain questions. We experience the power of images. But on its methods of operation and on how it manages to attract and retain us, we may have less control.

Paul Lowry presents two series of black and white photographs. Gathered in its entirety for the first time in Montreal, the Twentieth Century Manfigures series (1995-97) presents itself as a set of emblematic figures charged with anxiety, fantasy and extreme emotions.

The angle from which Louis Fortier approaches moulding allows a certain closeness to laboratory work. It is as if he was trying to form a genealogy from an individualized head, then repeated and transformed through experimentation.

At the beginning of the year, Galerie B-312 invited several artists to participate in its fundraising event. Forty of them responded positively and generously to this exhibition project. We are therefore pleased to present this event from April 20 to 24. 

Density is rarely measurable or given at first contact, at first glance. It requires time, acclimatization and perseverance. In the works presented, this density is based on an agglomerate built of and in thinness. 

Punctuation of space, dissemination of perception, this work calls for closeness, a reconciliation. In this movement of the spectator as close as possible to the objects, it is proposed to us to experience the acuity that listening requires. 

Playing on density and balance, the artist explores the physical laws governing the spatial existence of bodies and matter.

Christian Leclerc's aim for this exhibition is to question the logistical activity of venues for the dissemination of contemporary art, their responsibilities and commitments in the presentation of today's artists.

The installation of drawings that he proposes for the exhibition History [aufhebung] is part of a reflection on history as discourse and structural system.

The recent paintings presented by Robbin Deyo reflect the artist's fascination with the diversion of modernist traditions through the introduction, within the paintings, of methods and processes referring to the domestic. 

To expand its outreach mandate, Gallery B-312 inaugurates a new project called jeunes commissaires. This initiative aims to support the practice of those whose subject of study is related to art, whether they are historians, critics or theorists.

It is with photography as a theme several Montreal artists have come together to participate in Galerie B-312's fall fundraising event. The exhibition is composed of different works that raise questions about the problematic of photography.

 Around the seriality of the large format and the representation of the human figure, two artists once again explore the cultural and emotional links that are woven into their respective photographic works. 

Following a small serpentine path through hairy hills and mountains, a robot is walking. Unceasingly, in its circular and alienating course, the robot parades a morphology with double references.

Manon Lévesque's work proposes an implementation that deliberately keeps us in a form of ambiguity or abstraction. "Cyclops", in the main space of the exhibition, is composed of computer-generated images and a soundtrack, one enters it by being looked at, and then, one looks. 

Léon Perreault's artistic work takes the audience on a journey across the plains. Empty and flat spaces that are confronted by the verticality of the two tower sculptures Murmur and Breath.