THE THIRD BODY

DAVID MCFARLANE—VIDA SIMON—JANE WILLIAMS

THE THIRD BODY

Presented by Jack Stanley

  • Exposition
© Exhibition "Third Body", Galerie B-312, 2001.

In addition to his visual art practice, Jack Stanley has curated Night Stories (Galerie Articule, Montreal, 1996) and Three Films by Trinh T. Minh-ha (Goethe Institute, Montreal, 1995). He participated in the organization of a series of exhibitions, A Room Under The Stairs, from 1996 to 2000. He also wrote the catalogue texts for the exhibitions Moving & Storage (Ottawa, Montreal and Toronto, 1999) and Laiwan (Articule, 1997), as well as accompanying texts and essays about the work of Marie-Josée Laframboise (CIRCA, 2000), Karilee Fuglem (La Biennale de Montréal, 1998), Dagmar Dahle and Vida Simon (Articule, 1997). 

David McFarlane's work was seen in Montreal at the CounterPoses performance (Oboro, 1998) and he had a solo exhibition at the same venue in 1994. Vida Simon has presented performances in Montreal, Ottawa and Toronto, including Effigy (Le Mois de la performance, La Centrale, 2000) and exhibitions in Montreal, Toronto and Winnipeg. She currently has an exhibition at the Wilder & Davis Gallery (luthiers) until April 2001. Jane Williams, for her part, has presented installations sometimes integrating sound and video in Montreal, Halifax, Saskatoon and Saint John (N.T.). In 1999, she initiated the Free Light Trucking project exploring ideas of transportation, value and exchange. 

31 mars 2001 au 28 avril 2001

The Third Body will present new site-oriented works by David McFarlane, Vida Simon and Jane Williams. This exhibition was inspired by my experience of specific works by each artist — works that placed emphasis upon the living body in an ongoing interaction with its environment. These were works through which the viewer became intimately engaged with the artist by way of the glance, as well as localized feelings of touch and movement. With these practices otherness is not only intersubjective, but is also constitutive of an intimate self-reflexivity. Here the concept of reversibility may be an appropriate way of addressing dichotomies such as inside/outside, self/other, presence/absence. Notions such as the “performative self,” “subject-in-process” and “embodied spatiality” come to mind. I am particularly interested in how, through metonymic identification, vestiges of the artwork intervene in daily life, awakening a metaphoric/poetic sense of self.  I believe that each artist, in her or his own ways, question the separation of the visual from the other senses. This line of questioning implicitly points to the cultural construction of identity, especially in relation to the politics of location. With this exhibition I hope to draw attention to the political and therapeutic potential of such artistic practices. I suggest that by extending boundaries of self these works call into question societal maps that define reality.

Jack Stanley