François Simard relegates matrix forms that act in spite of us, on the interpretation of what we see,  to the register of any other pictorial motif entering the composition of the painting. In so doing, he neutralizes their power of inflection of judgment.

In Afterimage, Nikki Middlemiss presents a series of photographs depicting smoke clouds left by fireworks after explosions.-We perceive patterns such as these artificial clouds without necessarily seeing them. They are innumerable and varied, especially in urban areas.

Marie-Suzanne Désilets addresses the issue of emotional deprivation and their substitutes. Charbon et turbobecomes a pretext for the invention of a story, an intrigue where imagination and reality, phantasms and everyday life merge, raise the limits of the suggestive and decency.

Tres Tiempos consists of three photographic sequences and a video showing in three stages a brutal collision between a motorist and a pedestrian.

Travaux récents by Randall Anderson speaks of art history, studio work, transmission of information and data processing.The artist develops different strategies to represent either the shaping of a shape.

Every year, Galerie B-312 invites you to support the activities of the centre by acquiring a work of art. Thus, you directly support the dissemination, recognition and the impact of current artistic practices.

Ô divine is a projection of a very short video sequence mounted in a loop showing a strawberry at different stages of its decomposition. 

If Bruno Gareau's paintings make us smile at first, they soon confuse us.The more one questions the work, the more one tries to grasp its reason of being. and the more curiosity dissipates, giving way to the guilt of having been seduced without warning by something inappropriate.

Through this exhibition's program, curators Ricardo Mbarak and Wadih Safieddine have focused on works that address the question of identity. The selection shows several positions of artists who privilege in their works criteria related to their environment.

Inspired by the world of the RISK board game, Éric Ladouceur, curator, conceived this exhibition project and invited the artists to participate in the utopian establishment of a new world order by using the Dymaxion world map.

As part of the Beyrouth-Montréal, Vue Double exchange project, Espace SD in Beirut presents an evening of videotapes by Quebec artists which explore and testify the richness of practices and issues related to video in Quebec.

Every year, Galerie B-312 invites you to support the activities of the centre by acquiring a work of art. Thus, you directly support the dissemination, recognition and the impact of current artistic practices.

Galerie B-312 is pleased to welcome We're looking for you, an installation by Thomas Bégin for which the artist transformed the gallery's large room into a strange camera obscura. The windows of the large hall are obstructed by a mechanized modular structure. 

A myth in particular haunts Gaulejac, and with good reason, since it concerns the status of the artist. Is the artist like the glider enthusiast? Does it glide quietly through society, exploiting the rising winds to its advantage?

Marie-France Brière presents in the small room of the galerie Les bouches d'ombre. On the wall, two works, and in the space, two voices. Marie-France Brière has joined the audible to the visible and thus led the sculpture where it was not expected: on the wall and in the voice.

Adad Hannah's projections are accompanied by fragments of photographic impressions from a unique matrix, an anonymous photogram found by the artist in Havana's Chinatown.

Doreen Wittenbols works in the tradition of figurative paintings and her main subject is sexuality. The artist, however, approaches sexuality through the question of the role, focusing on our behaviours towards others, and mainly explores the performative dimension of the image.