Denis Pellerin presents his most recent work Icônes païennes. These works are a follow-up to the series Élaboration d'une identitépresented at the Cégep Édouard-Montpetit gallery in the fall of 1992. 

Johanne Gagnon laid the foundations of a concrete construction consisting of four sections on a reduced scale. This model was built in an exterior space, poured on the ground in order to highlight the relationship between the earth's layer and depth, and to emphasize the realism of the project. 

Here the surface-objects that are the planes spread out on the wall are not platforms of the imaginary for a representation, they take on their sense of the evocation that the material itself provokes.

This unique work by Paul Lowry develops into a suite of black and white photographs divided into two parts, Head Studies and Figures Studies. His strikingly effective photographs are inspired by Jonathan Swift's Gulliver's Travels. 

Through his sculptures Guy Chapleau introduces us to the mathematics of movement. Like a grid for analyzing the world's situation, the rigor of geometry is combined with the sensitive, revealing the tensions existing between the transformation of matter and its origin.

An installation consisting of paintings of objects faithfully rendered from photographs. Presented as three distinct modules, each module deals in its own way with questions of identity and the formation of meaning.

This exhibition proposes a dialogue and a deployment of space between literature and plastic arts. The book is interpreted to us - as we say of a musical piece - it becomes a productive object, a matrix.

Michel BOULANGER, François LACASSE, Guy LAPOINTE and Jean PELCHAT decided to exhibit together. The grouping is the initiative of artists who do not defend a program in this way, do not denounce anything. 

This video installation is an allegory of the birth of light at the December 21st solstice, the winter door that introduces the new light phase of the annual cycle. Sign of the opening, the concentration of energy in gestation pierces and transforms the veil of death. 

Galerie B-312 presents a solo exhibition by Montreal artist Mireille Plamondon. The sculptures she presents proceed by assembling materials as well as their formal and conceptual aspects, playing with straw, copper, steel, wax and other materials.