To mark the 20 years of Galerie B-312 differently, about twenty artists gather and offer us an unprecedented way to access and share art.Jusqu’à épuisement des stocks/While Supplies/Last is a collective project of contextual art on USB key.

Monique Régimbald-Zeiber continues her reflection on the feminine condition and the relationship we have with historique by borrowing the biographical repertoire of Les Filles du Roi assembled by the demographer and historian Yves Landry. 

The 12th edition of Le Mois de la Photo à Montréal is resonating with the theme Lucidity. Inward Views. Jim Verburg is interested in the subtleties of human relations, especially the questions of intimacy and sexuality, and on what is often left unsaid in these relation.

Every year, Galerie B-312 invites you to support the activities of the centre by acquiring a work of art. Thus, you directly support the dissemination, recognition and the impact of current artistic practices.

From video documentary to conceptual photography, Emmanuelle Léonard develops strategies for representing public space.

Borrowing both landscape and architecture, Mireille Lavoie thus plays with the limits of the flexibility of plywood pieces, making it take curved and wavy forms. Some of it have been meticulously cut to bring out plant motifs.

Through painting, installation and performance, Cynthia Girard takes her reflection on the pictorial space and its distortion. She builds dysfunctional worlds confronting an imaginary world delusional to the bigoted reality of every day.

The subject of Stephen Schofield’s work is the strangeness, humour and erotics of ordinary experience. The materials and procedures he uses to make them spring from the laboratories of the home: the kitchen, the bathroom and the garden.

With humor and poetry, Jean-Pierre Gauthier creates kinetic and sound installations that refer to chaos, convolutions and unpredictability.

With his installations, videos, performances, drawings and models, Stéphane Gilot tries to redefine our relationship with space by using hybrid construtions and imaginary spaces in which the public is invited to take part in an inventory of situations.

The spaces build by Véronique Chagnon-Côté recall certain traditional notions of painting by their drawing lines perpective. However, she retains abstraction techniques such as flat tint, pattern and hard-edge cutting to explore painting materiality. 

Ten artists have been invited to talk about their artistic approaches in the context of their studios. Experience the pulse of their practice. Understand the artist's relationship with their creative process, with their work and production context.

Jana Winderen's work reveals the complexity and strangeness of the oceanic sound universe, an area often overlooked by the scientific community. Through blind sound recording, the artist creates auditory experiences that would be difficult – if not impossible – to achieve.

Catherine Béchard and Sabin Hudon’s works diverge familiar shapes by the incorporation of mechanical movements or the production of unexpected sounds. The objects used in the installation, refer to experiences or cultural knowledge, evoking specific images.

Jennifer Campbell’s artistic practice engages her in actions that she documents through photography or videography. The five works depict the artist in action on a natural site with interventions that suddenly and radically disrupt and transform the site.

Olivia Boudreau’s work is remarkable for having combined the respective temporalities of performance and videography. She starts from the sequence-shot, the isochrony between the filmed time, the point of view, the time that the video is watched later.

Lise Boisseau avoids the stretcher and colours and chooses to work with ink on paper (particularly film paper), employing Chinese calligraphy techniques.The choice of such a mode of tracing, fragments the painted surface into a multitude of marks.