The spaces build by Véronique Chagnon-Côté recall certain traditional notions of painting by their drawing lines perpective. However, she retains abstraction techniques such as flat tint, pattern and hard-edge cutting to explore painting materiality. 

Ten artists have been invited to talk about their artistic approaches in the context of their studios. Experience the pulse of their practice. Understand the artist's relationship with their creative process, with their work and production context.

As part of Energy Field, Jana Winderen hosts a workshop on the St-Laurence River, working with underwater noises. The Norwegian artist is known for her work on sound caption in undergrounds and in deep waters. 

The creations of Éva Chatigny reveal the architectural patterns specific to the urban landscapes. Connected together, the objects come together like variations of the same theme. Due to their appearance, arrangement and scale, objects are like furniture or models.

zipertatou shares these worlds that he imagines with their space, time, characters and the story in which they are the protagonists. In Top Manatavo, tissue boxes fly, what resembles a swollen wing comes out of the opening where one usually pulls the tissues.

Olivia Boudreau’s work is remarkable for having combined the respective temporalities of performance and videography. She starts from the sequence-shot, the isochrony between the filmed time, the point of view, the time that the video is watched later.

Lise Boisseau avoids the stretcher and colours and chooses to work with ink on paper (particularly film paper), employing Chinese calligraphy techniques.The choice of such a mode of tracing, fragments the painted surface into a multitude of marks.

 In Free Space Loss, Erika Lincoln works to reconstruct, in a very homemade way, what might seem to be the necessary conditions that would allow us to experience virtual reality. Virtual reality is a reality that exists only through our senses.

David M.C. Miller does not subject just anything to this process of erasure or fragmentation, only the face, image par excellence of others, a subject in its own right, unique and singular, whole and indivisible.

In Refusing to make a scene, Pavitra Wickramasinghe presents her work on the upheaval in the domain of the constitution of images from the moment the cinema introduces a radical change of structure in this field. 

This performance is inspired by a child’s suit. This found object, belonging to another era, appears to be a shrunken version of a grown up’s clothing. Not knowing the clothing’s specific history allows for a continual projection of possible scenarios.

To be all things brings together David Naylor's sculptures, which recall the furniture in our homes since they are made from armchairs, couches, loveseats, sofas or recamiers, of which the artist only keeps the structures as an armature.  

Free Haircuts by Children is a whimsical performance that playfully engages with the enfranchisement of children, trust in the younger generation, and the thrills and chills of vanity.

With 1+1=1, Mother Tongue, Ataman and Sedira deal with the unpredictable impacts of acts as decisive as the borders erection and the desire to abolish them. This exhibition reveals the limits of constraining the photographic conception to a theory of the index sign. 

Monique Moumblow has five-year-old twin girls in the midst of learning language and social skills. Arko Preeka is a phrase made-up by the twins that had deep emotional meaning to the girls yet remained elusive to others.

Le peuplier de Simon, Populus simonii, is a tree about twenty meters high, but it is also an artist duo composed of Simon Bélair and Léon Lo. Simon Bélair plays in the evening fragile and delicate music from samples of sounds gleaned from nature or remixed by computer.

The fruit of the exhibition without taking advantage of it, and conceived in the same spirit as the first publication, L'AutreAuPortrait.cahier brings together the intentions of the exhibition, the words of a conference on the face of the Other, and conversations presented in the form of a photographic essay....

Every year, Galerie B-312 invites you to support the activities of the centre by acquiring a work of art. Thus, you directly support the dissemination, recognition and the impact of current artistic practices.