The creations of Éva Chatigny reveal the architectural patterns specific to the urban landscapes. Connected together, the objects come together like variations of the same theme. Due to their appearance, arrangement and scale, objects are like furniture or models.

zipertatou shares these worlds that he imagines with their space, time, characters and the story in which they are the protagonists. In Top Manatavo, tissue boxes fly, what resembles a swollen wing comes out of the opening where one usually pulls the tissues.

Brian MacDonald asked three artists to create an artwork knowing that they would be part of an installation with a troubling dilemma: the works of art would only be an instant of respite in the face of the nuisances of the everyday life ?

David M.C. Miller does not subject just anything to this process of erasure or fragmentation, only the face, image par excellence of others, a subject in its own right, unique and singular, whole and indivisible.

In Refusing to make a scene, Pavitra Wickramasinghe presents her work on the upheaval in the domain of the constitution of images from the moment the cinema introduces a radical change of structure in this field. 

This performance is inspired by a child’s suit. This found object, belonging to another era, appears to be a shrunken version of a grown up’s clothing. Not knowing the clothing’s specific history allows for a continual projection of possible scenarios.

To be all things brings together David Naylor's sculptures, which recall the furniture in our homes since they are made from armchairs, couches, loveseats, sofas or recamiers, of which the artist only keeps the structures as an armature.  

Free Haircuts by Children is a whimsical performance that playfully engages with the enfranchisement of children, trust in the younger generation, and the thrills and chills of vanity.

With 1+1=1, Mother Tongue, Ataman and Sedira deal with the unpredictable impacts of acts as decisive as the borders erection and the desire to abolish them. This exhibition reveals the limits of constraining the photographic conception to a theory of the index sign. 

Monique Moumblow has five-year-old twin girls in the midst of learning language and social skills. Arko Preeka is a phrase made-up by the twins that had deep emotional meaning to the girls yet remained elusive to others.

Le peuplier de Simon, Populus simonii, is a tree about twenty meters high, but it is also an artist duo composed of Simon Bélair and Léon Lo. Simon Bélair plays in the evening fragile and delicate music from samples of sounds gleaned from nature or remixed by computer.

The fruit of the exhibition without taking advantage of it, and conceived in the same spirit as the first publication, L'AutreAuPortrait.cahier brings together the intentions of the exhibition, the words of a conference on the face of the Other, and conversations presented in the form of a photographic essay....

Every year, Galerie B-312 invites you to support the activities of the centre by acquiring a work of art. Thus, you directly support the dissemination, recognition and the impact of current artistic practices.

Les tas by Rodrigue Bélanger presents a series of photographs depicting landscapes that, paradoxically, resemble portraits: portraits of matter heaps, mounds, cut out on a neutral background. Symmetrically constructed, the landscapes are presented in a uniform way.

We are invited to the Jeudi tout ouïe event but there you go, there will be walls everywhere. And we cannot pierce them, nor shoot them down. It's very annoying. Since we know this, a question has becom important to us : how does sound work ?

Guillaume La Brie's exhibition consists of four large sculptures that, together, appear as the remains of a small furnished apartment. The walls seem to have come to life in order to warp themselves, collapse, crumple, overlap some furniture. 

Yoshiaki Kaihatsu’s installation continues his longstanding material approach that works with waste or garbage as construction material. He has recently been producing environments constructed and altered by the accumulation of Styrofoam packing material.