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Mimetic and metamorphosis are at the heart of Michèle Pearson Clarke's preoccupations, particularly in her most recent project, Quantum Choir. This four-channel video installation presented on screens is rooted in singing, a common activity in all cultures, both ordinary and extraordinary. More specifically, it focuses on the idea of a poor  voice performer learning to sing, bathed in insecurity, doubt and shame.

Scrutinizing issues raised by different geopolitical, social or economic situations on the world stage, Ariamna Contino and Alex Hernández propose visual interventions where the plastic and aesthetic treatment of the materials reveals troubling facts.

The collective HeHe, composed of Helen Evans and Heiko Hansen, designes surprising hybrid machines that are at times oversized.Their projects are often the result of highly sophisticated processes that involve scientists and specialists. 

Hanna Hur's artistic practice encompasses a variety of media, including drawing, painting and sculpture. Her artistic approach to perception and empirical reality is informed by a phenomenological approach. Hur addresses the inevitable refractions of this reality through a personal perspective...

Catherine Béchard and Sabin Hudon’s works diverge familiar shapes by the incorporation of mechanical movements or the production of unexpected sounds. The objects used in the installation, refer to experiences or cultural knowledge, evoking specific images.

Every year, Galerie B-312 invites you to support the activities of the centre by acquiring a work of art. Thus, you directly support the dissemination, recognition and the impact of current artistic practices.

Brian MacDonald asked three artists to create an artwork knowing that they would be part of an installation with a troubling dilemma: the works of art would only be an instant of respite in the face of the nuisances of the everyday life ?

Every year, Galerie B-312 invites you to support the activities of the centre by acquiring a work of art. Thus, you directly support the dissemination, recognition and the impact of current artistic practices.

Every year, Galerie B-312 invites you to support the activities of the centre by acquiring a work of art. Thus, you directly support the dissemination, recognition and the impact of current artistic practices.

Inspired by the world of the RISK board game, Éric Ladouceur, curator, conceived this exhibition project and invited the artists to participate in the utopian establishment of a new world order by using the Dymaxion world map.

As part of the Beyrouth-Montréal, Vue Double exchange project, Espace SD in Beirut presents an evening of videotapes by Quebec artists which explore and testify the richness of practices and issues related to video in Quebec.

Adad Hannah's projections are accompanied by fragments of photographic impressions from a unique matrix, an anonymous photogram found by the artist in Havana's Chinatown.

The exhibition makes us aware of the "way" with which art opens onto a world of fiction that can surprise us so much because it does not present the context of the physical, historical, social and cultural space-time in which we are immersed.

Gallery B-312 hosts Happy Hour, an installation by Alberta-born Montreal artist Nelson Henricks, in his small room. In Silent Film, a film that Nelson Henricks directed in 1994, a voice-over says, "You asked me why this film is silent? 

Caritas is Latin for "high price", "expensive (of a thing)". But Caritas also means "high esteem", "love", "tenderness", "affection". This year again, almost 50 artists agreed to participate in the Caritas sales exhibition organized for the benefit of Gallery B-312.

Lisa Hecht evokes in a series of large-format photographs (90 x 60 cm) a whole work of reflection resulting from a very simple gesture, that of obstructing all the windows of her studio with sentences written in negative from her workbook.