Archives

More information about the artists' works.

Oya’wih means “it tastes good” in the Wendat language. As part of her master’s degree in art history, Michèle St-Amand is interested in the uncolonized sexuality of Indigenous women in an alternate history in which colonization never occurred. The curator invited Indigenous artists from various Nations and generations to reflect on the issue.

Joignez-vous à nous pour une rencontre-discussion avec les artistes participant à la deuxième édition des Résidences croisées Montréal + Tunis.

CARNET DE RÉSIDENCE
Je croyais venir en Tunisie explorer la mosaïque si typique du pays et apprendre une nouvelle technique. Après avoir constaté l’ampleur de cette entreprise, la complexité du processus, je me suis auto-déclarée inapte : trop impatiente.

La Galerie B-312 est très heureuse de lancer sa deuxième édition des Résidences croisées Montréal + Tunis avec Élise Provencher, qui a l'occasion de voyager en Tunisie et de rencontrer sa communauté artistique.

Christiane Patenaude profite d'une résidence libre à la Galerie B-312 pour revoir, mettre en relation et documenter plus d'une quinzaine d'oeuvres sculpturales, installées au mur, au sol ou suspendues dans l'espace.

Manon De Pauw, Lueurs oniriques, une critique d'exposition rédigée par Maxence Croteau, à lire dans le numéro 126 du magazine Ciel variable.

Starting from relational experiences developed during the creation of paintings custom-designed for individuals and their homes, the artists Pépite & Josèphe investigate, through various processes of capture and recomposition, the domestic spaces where the paintings were installed. With Les galeries-logis, the notions of refuge and exhibition space are revisited. The artists combine paintings, digital art and architectural creations in the large room of the gallery, while sculptures and sound art respond to each other in the small room.

Mimetic and metamorphosis are at the heart of Michèle Pearson Clarke's preoccupations, particularly in her most recent project, Quantum Choir. This four-channel video installation presented on screens is rooted in singing, a common activity in all cultures, both ordinary and extraordinary. More specifically, it focuses on the idea of a poor  voice performer learning to sing, bathed in insecurity, doubt and shame.

Hosted by Monique Régimbald-Zeiber, this panel is an opportunity to think the symbolism of wandering and discovering in a creation context. Starting from their respective residences, the artists of La Track | The Track will comment on their experiences.

Learn more about the artists from Montreal and Baltimore from La Track | The Track exhibition presented at Galerie B-312 until March 28, 2020. 

When the strange knock on the well-known door, it created perceptual and psychological discomfort. Involving itself cunningly, not to say sneaky, it causes awkwardness or fear. The artists reclaim a collective and symbolic basin to better invest it with a personal aesthetic.

Gabrielle Lajoie-Bergeron is the curator of La Track | The Track a project with exhibitions, residences and conferences in which artists from Montreal and Baltimore reflect on uprooting, disorientation and encounter concepts.

eXcentrer's curators Marthe Carrier, Stéphanie Chabot, Emmanuelle Choquette and Émilie Granjon, directors of Galerie B-312, Skol, Arprim and Circa invite you to this singular event which takes place from September 2019 to May 2020 at the Galerie d'art Desjardins de Drummondville.

As part of La Track | The Track project, five American artists from Baltimore will be at Galerie B-312 for in situ and off-site residencies, culminating in two group exhibitions at the Institute of Contemporary Art Baltimore in November 2019 and at Galerie B-312 in February 2020.

Curator Santiago Pérez Garci, director of the Museo Nacional de la Estampa (Mexico) join forces with Arprim, and Circa art actuel, with the complicity of Galerie B-312, to host a collective exhibition with nine Mexican artists. 

Learn more about the artists exhibiting at Galerie B-312 as part of Gráfica Abierta exhibition. 

But the sound of a hammer in the distance prompts you to interrupt the recording. You stand up and look outside. The light fades. Your window shivers. The wind is blowing. A thin smoke emerges from a cigarette burning in an ashtray on the neighbor's windowsill.

We invite you to come and take a look at our latest workshop with the members of Action Centre-Ville. This season, it is the turn of Alexandre Jimenez and his collaborators to introduce the participants to contextual art and artistic collaboration.

We invite you to come and take a look at our last workshop with the members of Action Centre-Ville. This season, it is Guillaume Boudrias-Plouffe’s turn to invite a dozen of participants to explore contemporary art through assemblage of objects and performance.

We invite you to come and take a look at our latest workshop with the members of Action centre-Ville. This season, Caroline Boileau introduced the participants to performance approach and contexts. 

Dominique Pétrin unveils her amazing 3D-2bits universe. Composed of colored papers and multiple ornaments, it unfolds itself in the art centre space like a tangy madala, in which geometry, color theory, art history and other mysteries are mixed. 

The Sensing Realities exhibition is realized as a joint project of Gallery B-312 from Montreal and Remont Gallery from Belgrade in order to connect and exchange current contem­porary art production from Canada and Serbia. 

Academics, artists and members of Hexagram | CIAM participating in this two-part international seminar will question the forces of transformation occurring at the limits of matter, be they physical, residual, biological or electronic. 

Combining sculpture, installation, video and performance, Guillaume Boudrias-Plouffe explores the interaction between memory and culture, the transformation and transmission of traditions in relation to his grandparents. 

In these frescoes, Marianne Pon-Layus represents herself embodying a variety of characters. By bringing fine variations to each of her self-representations, she takes away from the simple self-portrait to multiply it into a series of avatars. 

To mark the 20 years of Galerie B-312 differently, about twenty artists gather and offer us an unprecedented way to access and share art.Jusqu’à épuisement des stocks/While Supplies/Last is a collective project of contextual art on USB key.

Every year, Galerie B-312 invites you to support the activities of the centre by acquiring a work of art. Thus, you directly support the dissemination, recognition and the impact of current artistic practices.

Every year, Galerie B-312 invites you to support the activities of the centre by acquiring a work of art. Thus, you directly support the dissemination, recognition and the impact of current artistic practices.

We are invited to the Jeudi tout ouïe event but there you go, there will be walls everywhere. And we cannot pierce them, nor shoot them down. It's very annoying. Since we know this, a question has becom important to us : how does sound work ?

Galerie B-312 is pleased to invite you to participate in our pet friendly piñata gallery: a huge piñata filled with a hundred visual, sound and literary works.