Charlie Carroll-Beauchamp

Art historian


Charlie Carroll-Beauchamp is an art historian and cultural worker. As part of her research, she participated at the CRILCQ (Centre de recherche interuniversitaire sur la littérature et la culture québécoise) roundtable in February 2017 under the theme Les pratiques actuelles de la recherche en histoire de l’art du Québec as well as the symposium Perspectives féministes en histoire de l’art organized by Université du Québec à Montréal in March 2018, under the theme Repenser les marges. She was also involved with the Revue Ex_situ as web editor, and worked as a cultural mediator for the Festival Art Souterrain as well as working for the Regroupement des centres d’artistes autogérés du Québec (RCAAQ). She currently holds the position of Mediation Programs and Workshops Coordinator at Vidéographe.


Charlie Carroll-Beauchamp lives and works in Montreal. She holds a bachelor’s degree from Université de Montréal and a master’s degree from Université du Québec à Montréal in art history. Her master’s thesis entitle De l’autre côté du champ visuel : la pratique de l’aveuglement volontaire chez Raphaëlle de Groot (2018) examines sight hegemony in the visual arts, its influence in the writing of art history and the polysensory alternatives proposed by certain artists. Her case study focuses on the practice of willful blindness in the work of Quebec contemporary artist Raphaëlle de Groot.