Galerie B-312 invites you to a concert by Lori Freedman and Frank Gratkowski. a very first meeting between two compositors and two virtuous of clarinet and saxophone. An evening of improvised music not to be missed.

For this conference, Mrs Lancôt-Belanger refers to our relationship with the city on the horizon of the metaphor of the city as a living being, who has a soul, dimension, spaces, secrets where beauty and ugliness are housed.

 As curious as it may seem, Yves Robitaille classifies storytelling as a form of visual art. He tells us storytelling is an art of making present to the to the mind of the audience scenes, faces, actions, as if they had seen them with their eyes.

Arpenter l'île - promenades urbaines is an artist's book conceived with the complicity of the 25 participating artists. 25 views of the city, Montreal in this case. 25 plastic interventions, each of which unfolds over four pages.

D’une manière ou d’une autre, an encounter with Elisabeth Hautmann, Bettina Hoffmann, Andrea Rostásy and Marcus Weber, four Berlin artists whose work are presented at Galerie B-312 as part of the exhibition Sans souci.

Éric Aubertin and Jean-Sébastien Durocher have been collaborating for over four years on sound explorations. The lutherie and instruments used come from an ingenious device made up of electrical appliances, factory motors and sound toys.

Lori Freedman-Lori Freedman is an internationally renowned clarinetist and composer. Her versatile style allows her to perform and compose contemporary, electroacoustic and improvised music.

It is in the circumscribed and intimate atmosphere of the small room of Gallery B-312 that the witness of an intervention carried out by Emanuel Licha, in the summer of 2001, in a building devastated by war, in Sarajevo, Bosnia-Herzegovina, is presented.

Galerie B-312 is pleased to invite you to a series of three musical performances to be held during the month of April with Jérôme Minière, Montag and René Lussier.

Galerie B-312 is pleased to welcome musician and composer Alexander MacSween in a concert motivated by the slow and stretching of sounds in space.

Galerie B-312 is pleased to welcome in its large room Topographie de la couleur résiduelle by Aude Moreau. This in situ intervention brings to a close a project to inventory the painting collections that Montrealers keep in the sheds of their homes.

Galerie B-312 invites you to the launch of Coffrets No. 6 and No. 7, which punctuate the 2001-2002 and 2002-2003 programming years. -It will be remembered that 2001-2002 was a memorable year for the Gallery's 10th anniversary.

Gallery B-312 hosts Happy Hour, an installation by Alberta-born Montreal artist Nelson Henricks, in his small room. In Silent Film, a film that Nelson Henricks directed in 1994, a voice-over says, "You asked me why this film is silent? 

Galerie B-312 has always taken the liberty of exceeding this mandate by disseminating the results of research by artists working in other fields. Today, we are pleased to announce the programming of a series of musical performances.

Angèle Verret paints some of her paintings by letting the fluidity of the pigment-laden binder interact with the slightest variations in the surface of a prepared canvas placed horizontally. This operation is repeated until the artist finds the result disturbing enough to address it to us.

With this theatrical diptych, Olibrius opens a space between theatre and performance where, to serve Bataille's text, the actor first tests the resistance of his body in immobility; an immobility around which the whole event is structured.

Push is a consideration of how photography engages the profound violence of the modern era. What is its capacity to reflect on this relationship and what is the necessity to do so? To what extent does such a reflection reside in a work whether explicitly intended or not.